Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 108
... show and its expression in the passing show - and they mark the passing show as either an inadequate or a diversionary expression . One of my objects in this study is to try to demonstrate by close reading that the passing show is ...
... show and its expression in the passing show - and they mark the passing show as either an inadequate or a diversionary expression . One of my objects in this study is to try to demonstrate by close reading that the passing show is ...
Seite 309
... shows that the evaluation of probabilities can be a tricky business and that deceptively simple or general phrases can hold highly context specific information that greatly increases the odds against random generation . 6 " To give only ...
... shows that the evaluation of probabilities can be a tricky business and that deceptively simple or general phrases can hold highly context specific information that greatly increases the odds against random generation . 6 " To give only ...
Seite 336
... shows me that if I insist on resolving the contradiction , I will forge only lies and distortion . As this exploration of texts has shown , the discourse of racial difference is inescapably embedded in the play just as it was embedded ...
... shows me that if I insist on resolving the contradiction , I will forge only lies and distortion . As this exploration of texts has shown , the discourse of racial difference is inescapably embedded in the play just as it was embedded ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York