Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 88
... sense - yet for both Rosalind and Orlando the scene seems to mark a shift in their relation and an end to their " courtship . " In addition , a performance can com- plicate the scene by raising questions in the audience's mind of ...
... sense - yet for both Rosalind and Orlando the scene seems to mark a shift in their relation and an end to their " courtship . " In addition , a performance can com- plicate the scene by raising questions in the audience's mind of ...
Seite 146
... sense of pain , while it hangs a leaden weight on the heart and the imagination . [ W ] e think that the actual truth of the particular events , in proportion as we are conscious of it , is a drawback on the pleasures as well as the ...
... sense of pain , while it hangs a leaden weight on the heart and the imagination . [ W ] e think that the actual truth of the particular events , in proportion as we are conscious of it , is a drawback on the pleasures as well as the ...
Seite 388
... sense " meaning implacable judgment , " Adders sence " meaning deaf ears , " dispence " meaning talk out of court - certain- ly does not make the poem less obscure . But there is a problem about modernizing and modern editions ...
... sense " meaning implacable judgment , " Adders sence " meaning deaf ears , " dispence " meaning talk out of court - certain- ly does not make the poem less obscure . But there is a problem about modernizing and modern editions ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York