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Seite 12
They seem to utilise visible and audible rhetorical or syntactical patterns as a way of compensating for the absence of metrical structure . If , for example , in The Merchant of Venice , we look at Shylock's dialogue ...
They seem to utilise visible and audible rhetorical or syntactical patterns as a way of compensating for the absence of metrical structure . If , for example , in The Merchant of Venice , we look at Shylock's dialogue ...
Seite 108
Many of them rhetorically enact the problematic relation they state by parading themselves as inadequate or obscure ... As shadows or players of his unseen grief , his words fall short in that their rhetorical embodiment falsifies it .
Many of them rhetorically enact the problematic relation they state by parading themselves as inadequate or obscure ... As shadows or players of his unseen grief , his words fall short in that their rhetorical embodiment falsifies it .
Seite 135
16 pied finds too much rhetorical control of dramatic energy throughout : “ art ' ... stands between us and the play . ” Of the Pomfret scene in particular , he believes “ there is no way to pretend we are participating in a compelling ...
16 pied finds too much rhetorical control of dramatic energy throughout : “ art ' ... stands between us and the play . ” Of the Pomfret scene in particular , he believes “ there is no way to pretend we are participating in a compelling ...
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Inhalt
Texts and Revels in Twelfth Night | 1 |
Jonas Barish Mixed Verse and Prose in Shakespearean Comedy | 9 |
Shakespeare Psychoanalysis History | 15 |
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Häufige Begriffe und Wortgruppen
action appears audience authority become begins body called character claim comedy comic common course court critical cultural death describes desire early effect Elizabeth Elizabethan England English essay example experience expression fact Falstaff father figure final follow force give Hamlet hand Henry human imagination Irish James John kind King language less lines live London Lord male marriage means Measure mind misogyny nature never offers once Othello peare performance perhaps play play's political present Press provides Queen question reference relation Renaissance represented response rhetoric Richard role scene seems sense sexual Shakes Shakespeare social Sonnets speak speech stage story suggests things thou thought tion tragedy true turn University Venus woman women writing York
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Mitwirkende Personen | Gale Research Company |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810389487, 9780810389489 |
| Zitat exportieren | BiBTeX EndNote RefMan |