Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 116
... represents in graph- ically lurid detail : The multitude of the rebelles drave the citezens from the stoulpes at the ... represented in a manner that more closely approximates his own self - estimate as protector or defender of " the ...
... represents in graph- ically lurid detail : The multitude of the rebelles drave the citezens from the stoulpes at the ... represented in a manner that more closely approximates his own self - estimate as protector or defender of " the ...
Seite 230
... Representing Shakespeare , 110-28 . Com- pare Elaine Showalter , " Representing Ophelia : women , madness , and the responsibilities of feminist criticism , " in Shakespeare and the Question of Theory , ed . Patricia Parker and Geoffrey ...
... Representing Shakespeare , 110-28 . Com- pare Elaine Showalter , " Representing Ophelia : women , madness , and the responsibilities of feminist criticism , " in Shakespeare and the Question of Theory , ed . Patricia Parker and Geoffrey ...
Seite 249
... represented as ethnically Greek - is represented with the ' tawny front ' of a moor consistent with Egypt's proximity to Libya , and consistent perhaps also with her sultry temperament . Ultimately , however , Shakespeare's idea of the ...
... represented as ethnically Greek - is represented with the ' tawny front ' of a moor consistent with Egypt's proximity to Libya , and consistent perhaps also with her sultry temperament . Ultimately , however , Shakespeare's idea of the ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York