Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 132
... remark , see Taylor ( note 2 ) , xx- viii - xxix ; and Marilyn Williamson , " The Courtship of Katherine and the Second ... remarks , for ex- ample , that the king rousing his troops sounds very like the Chorus " rousing the audience to ...
... remark , see Taylor ( note 2 ) , xx- viii - xxix ; and Marilyn Williamson , " The Courtship of Katherine and the Second ... remarks , for ex- ample , that the king rousing his troops sounds very like the Chorus " rousing the audience to ...
Seite 200
... remark to Lambarde as " evidence , " and it is equally rare to find readings that cite the full sentence from which it is taken or convey any ambiguities concerning the iden- tification of " this tragedy " with Shakespeare's play . For ...
... remark to Lambarde as " evidence , " and it is equally rare to find readings that cite the full sentence from which it is taken or convey any ambiguities concerning the iden- tification of " this tragedy " with Shakespeare's play . For ...
Seite 236
... remarks , many of them directed against Elizabeth ; in 1590 , two Essex peasants came before the authorities for having claimed that the queen had secretly delivered two chil- dren , and that the Earl of Leicester , the father , had ...
... remarks , many of them directed against Elizabeth ; in 1590 , two Essex peasants came before the authorities for having claimed that the queen had secretly delivered two chil- dren , and that the Earl of Leicester , the father , had ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York