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Seite 24
ual marriage , they are virtually incapable of emancipating either female or male readers from the relentlessly gendered ... Central to this strategy is a reading order which , by insisting on the diachronic structure of the narrative ...
ual marriage , they are virtually incapable of emancipating either female or male readers from the relentlessly gendered ... Central to this strategy is a reading order which , by insisting on the diachronic structure of the narrative ...
Seite 110
Responding to this question in Imaginary Audition , I began by resituating the polarity within reading and treating it as a conflict between stage - centered and text - centered reading , and I then complicated the scheme by introducing ...
Responding to this question in Imaginary Audition , I began by resituating the polarity within reading and treating it as a conflict between stage - centered and text - centered reading , and I then complicated the scheme by introducing ...
Seite 188
36 The practice of close reading deserves reconsideration outside the confines of its appropriation by New Criticism and the political agendas to which its foremost American practitioners directed it ...
36 The practice of close reading deserves reconsideration outside the confines of its appropriation by New Criticism and the political agendas to which its foremost American practitioners directed it ...
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Inhalt
Texts and Revels in Twelfth Night | 1 |
Jonas Barish Mixed Verse and Prose in Shakespearean Comedy | 9 |
Shakespeare Psychoanalysis History | 15 |
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action appears audience authority become begins body called character claim comedy comic common course court critical cultural death describes desire early effect Elizabeth Elizabethan England English essay example experience expression fact Falstaff father figure final follow force give Hamlet hand Henry human imagination Irish James John kind King language less lines live London Lord male marriage means Measure mind misogyny nature never offers once Othello peare performance perhaps play play's political present Press provides Queen question reference relation Renaissance represented response rhetoric Richard role scene seems sense sexual Shakes Shakespeare social Sonnets speak speech stage story suggests things thou thought tion tragedy true turn University Venus woman women writing York