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Seite 19
“ With the alterity of the ' unconscious , ' we have to deal not with the horizons of modified presents — past or future ... been for ever will be present , whose future ' will never be produced or reproduced in the form of presence .
“ With the alterity of the ' unconscious , ' we have to deal not with the horizons of modified presents — past or future ... been for ever will be present , whose future ' will never be produced or reproduced in the form of presence .
Seite 20
But one of the features which identifies the ballads as ' primitive ' for a culture accustomed to the novel is their common oscillation of tenses between past and present . This invocation of a present historic deviates from the ...
But one of the features which identifies the ballads as ' primitive ' for a culture accustomed to the novel is their common oscillation of tenses between past and present . This invocation of a present historic deviates from the ...
Seite 196
That these achieve articulation only in two royal excursions into present tense ( “ I am Richard 2d ” and “ the Witt of the Foxe is every wheare on foote ” ) embodies significant evaluative orientations and displaces others .
That these achieve articulation only in two royal excursions into present tense ( “ I am Richard 2d ” and “ the Witt of the Foxe is every wheare on foote ” ) embodies significant evaluative orientations and displaces others .
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Inhalt
Texts and Revels in Twelfth Night | 1 |
Jonas Barish Mixed Verse and Prose in Shakespearean Comedy | 9 |
Shakespeare Psychoanalysis History | 15 |
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