Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
Im Buch
Ergebnisse 1-3 von 77
Seite 120
... Popular Voice ( Oxford : Basil Blackwell , 1989 ) , p . 38 . 12 In her editor's note to Shakespeare Quarterly 42 , 2 ( 1991 ) , Gail Kern Paster calls attention to the lack of reciprocity of social historians to the work of literary ...
... Popular Voice ( Oxford : Basil Blackwell , 1989 ) , p . 38 . 12 In her editor's note to Shakespeare Quarterly 42 , 2 ( 1991 ) , Gail Kern Paster calls attention to the lack of reciprocity of social historians to the work of literary ...
Seite 219
... Popular Voice . 75 R. W. Scribner , For the Sake of Simple Folk : Popular Propaganda for the German Reformation ( Cambridge , Eng . , 1981 ) and Popular Culture and Popular Movements in Reformation Germany ( London , 1990 ) ; Michael ...
... Popular Voice . 75 R. W. Scribner , For the Sake of Simple Folk : Popular Propaganda for the German Reformation ( Cambridge , Eng . , 1981 ) and Popular Culture and Popular Movements in Reformation Germany ( London , 1990 ) ; Michael ...
Seite 312
... popular stage manifested an acute and complex investment in the imaginary reworking and resolution of Elizabeth's reign.12 But my own recourse to the popular theater is not solely motivated by such topical resonances . For anyone ...
... popular stage manifested an acute and complex investment in the imaginary reworking and resolution of Elizabeth's reign.12 But my own recourse to the popular theater is not solely motivated by such topical resonances . For anyone ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
25 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York