Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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... platea role - that of the madman . Edgar is so deeply embedded in the illusion that we neither see nor hear from him until his brother has had him outlawed . Finding " no port " or " place " where others have not " proclaim'd " against ...
... platea role - that of the madman . Edgar is so deeply embedded in the illusion that we neither see nor hear from him until his brother has had him outlawed . Finding " no port " or " place " where others have not " proclaim'd " against ...
Seite 227
... platea had collapsed into each other , producing a fairly seamless interplay of perspectives and counterperspectives , illusions and lucid disillusionments.21 Yet the seams , I would ar- gue , show . Hamlet tries to play the madman and ...
... platea had collapsed into each other , producing a fairly seamless interplay of perspectives and counterperspectives , illusions and lucid disillusionments.21 Yet the seams , I would ar- gue , show . Hamlet tries to play the madman and ...
Seite 229
... platea begin to blur at the moment when early mod- ern society was trying to call a ( modern ) self into being- to define the subject in terms of subjectivity rather than subjugation and that the locus became the primary site of action ...
... platea begin to blur at the moment when early mod- ern society was trying to call a ( modern ) self into being- to define the subject in terms of subjectivity rather than subjugation and that the locus became the primary site of action ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York