Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 108
... observe your own grief , which senses do you use to ob- serve it ? A particular sense , one that feels grief ? Then do ... observed ? " 19 And , to follow Wittgenstein's questions with another , is there a grief you don't actually " feel ...
... observe your own grief , which senses do you use to ob- serve it ? A particular sense , one that feels grief ? Then do ... observed ? " 19 And , to follow Wittgenstein's questions with another , is there a grief you don't actually " feel ...
Seite 290
... observed in 1968 that " Hamlet offers a rich field for topicality . . . and reveals per- haps most clearly the basic error of the lockpicking sleuth . " Among the theories that were no longer “ giv- en serious attention " was Lilian ...
... observed in 1968 that " Hamlet offers a rich field for topicality . . . and reveals per- haps most clearly the basic error of the lockpicking sleuth . " Among the theories that were no longer “ giv- en serious attention " was Lilian ...
Seite 301
... observe a highly path - dependent sequence of com- positional decisions that generate useful insights into the ... observed that fathers and daughters haunt Shakespeare's plays far beyond the com- mon anxieties of a patriarchal ...
... observe a highly path - dependent sequence of com- positional decisions that generate useful insights into the ... observed that fathers and daughters haunt Shakespeare's plays far beyond the com- mon anxieties of a patriarchal ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York