Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 311
... misogyny : that misogyny may in fact be an integral part of the mourning process when the lost object or ideal being processed is a woman , especially but not exclusive- ly when that woman is a queen of England , too . Human emotions ...
... misogyny : that misogyny may in fact be an integral part of the mourning process when the lost object or ideal being processed is a woman , especially but not exclusive- ly when that woman is a queen of England , too . Human emotions ...
Seite 313
... misogyny is generally on the rise in the drama of late Elizabethan and early Jacobean years , but it intersects with mourning in certain plays and genres more fully and forcefully than in others . Revenge tragedy has long been ...
... misogyny is generally on the rise in the drama of late Elizabethan and early Jacobean years , but it intersects with mourning in certain plays and genres more fully and forcefully than in others . Revenge tragedy has long been ...
Seite 318
... misogyny in the Renais- sance are aggressive expressions of this contradiction , and I would include here the affective conflation of mourning and misogyny I have been tracing . In some respects such a conflation should not surprise us ...
... misogyny in the Renais- sance are aggressive expressions of this contradiction , and I would include here the affective conflation of mourning and misogyny I have been tracing . In some respects such a conflation should not surprise us ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York