Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 36
... ment of " proof that . . . down to the first half of the seventeenth century , the appellation husbandman still dis- tinguished the man of the class next below the yeoman , and that he was literally the holder of the orthodox hus- band ...
... ment of " proof that . . . down to the first half of the seventeenth century , the appellation husbandman still dis- tinguished the man of the class next below the yeoman , and that he was literally the holder of the orthodox hus- band ...
Seite 38
... ment , a double rapist is confronted by the women he has wronged , and threatened with marriage , followed by be- heading , but like Angelo he is saved from death by a bed- trick and survives to marry . In Massinger's The Parlia- ment ...
... ment , a double rapist is confronted by the women he has wronged , and threatened with marriage , followed by be- heading , but like Angelo he is saved from death by a bed- trick and survives to marry . In Massinger's The Parlia- ment ...
Seite 129
... ment with female authority on several fronts : politically , since through its silence on Katharine's future it finally asserts that both authority and its familial succession ought to be an entirely male purview ; and dramatically ...
... ment with female authority on several fronts : politically , since through its silence on Katharine's future it finally asserts that both authority and its familial succession ought to be an entirely male purview ; and dramatically ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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Häufige Begriffe und Wortgruppen
action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York