Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
Im Buch
Ergebnisse 1-3 von 76
Seite 59
... human be- ings pass much of their time in little things , unserious- ness ; that the ordinary , social fabric of life can be very thin , made up of trivia , and we can often feel a kind of real nothingness underneath ( ' hee shall live ...
... human be- ings pass much of their time in little things , unserious- ness ; that the ordinary , social fabric of life can be very thin , made up of trivia , and we can often feel a kind of real nothingness underneath ( ' hee shall live ...
Seite 180
... human sacrifice . For the human figure dwarfed and suffocated by the rob- ings of power , we may think ahead to Lear and Macbeth . Shakespeare's own characters are radically uncertain whether kings are god - given or man - made , and ...
... human sacrifice . For the human figure dwarfed and suffocated by the rob- ings of power , we may think ahead to Lear and Macbeth . Shakespeare's own characters are radically uncertain whether kings are god - given or man - made , and ...
Seite 355
... human experience of lov- ing another in vain . It will be suggested that her experi- encing the misery of unrequited human love has signifi- cance for a couple of reasons . She comes to know some- thing of not only the unhappiness to be ...
... human experience of lov- ing another in vain . It will be suggested that her experi- encing the misery of unrequited human love has signifi- cance for a couple of reasons . She comes to know some- thing of not only the unhappiness to be ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
25 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York