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Seite 87
Rosalind reenters the scene with Hymen , and immediately turns to her father and says , “ To you I give myself , for I am yours ” ( 5.4.115 ) . This line might not seem problematic , were it not repeated immediately in ritual fashion to ...
Rosalind reenters the scene with Hymen , and immediately turns to her father and says , “ To you I give myself , for I am yours ” ( 5.4.115 ) . This line might not seem problematic , were it not repeated immediately in ritual fashion to ...
Seite 88
Onstage , within the fiction , the line " To you I give myself , for I am yours ” has a performative power : Rosalind is understood fictionally as having " given " herself with these words . From the perspective of the audience ...
Onstage , within the fiction , the line " To you I give myself , for I am yours ” has a performative power : Rosalind is understood fictionally as having " given " herself with these words . From the perspective of the audience ...
Seite 305
Ragan , trying him out on the question of murder asks : “ Hast thou the heart to act a stratagem , / And give a stabbe or two , if need require ? ” ( 15.1210-11 ) . The messenger gives his enthusiastic assent and when left alone adds a ...
Ragan , trying him out on the question of murder asks : “ Hast thou the heart to act a stratagem , / And give a stabbe or two , if need require ? ” ( 15.1210-11 ) . The messenger gives his enthusiastic assent and when left alone adds a ...
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Inhalt
Texts and Revels in Twelfth Night | 1 |
Jonas Barish Mixed Verse and Prose in Shakespearean Comedy | 9 |
Shakespeare Psychoanalysis History | 15 |
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Häufige Begriffe und Wortgruppen
action appears audience authority become begins body called character claim comedy comic common course court critical cultural death describes desire early effect Elizabeth Elizabethan England English essay example experience expression fact Falstaff father figure final follow force give Hamlet hand Henry human imagination Irish James John kind King language less lines live London Lord male marriage means Measure mind misogyny nature never offers once Othello peare performance perhaps play play's political present Press provides Queen question reference relation Renaissance represented response rhetoric Richard role scene seems sense sexual Shakes Shakespeare social Sonnets speak speech stage story suggests things thou thought tion tragedy true turn University Venus woman women writing York
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810389487, 9780810389489 |
| Zitat exportieren | BiBTeX EndNote RefMan |