Im Buch
Ergebnisse 1-3 von 79
Seite 88
salind / Ganymede can be understood to have performative force.23 Both of the characters know that they are only " playing ” —that they are not speaking “ seriously ” in Austin's sense — yet for both Rosalind and Orlando the scene seems ...
salind / Ganymede can be understood to have performative force.23 Both of the characters know that they are only " playing ” —that they are not speaking “ seriously ” in Austin's sense — yet for both Rosalind and Orlando the scene seems ...
Seite 127
But if act 4's Chorus refers to " the wide vessel of the universe ” as one container for its hero , it also mentions " the foul womb of night ” as another ; and this image of a malevolent womb , with the force of female Nature behind it ...
But if act 4's Chorus refers to " the wide vessel of the universe ” as one container for its hero , it also mentions " the foul womb of night ” as another ; and this image of a malevolent womb , with the force of female Nature behind it ...
Seite 399
Coriolanus refuses to plead ; he wants only to command , but as a general among civilians he is surrounded by a democratic Rome which by definition refuses to grant perlocutionary force to the hero.16 Since the sociopolitical situation ...
Coriolanus refuses to plead ; he wants only to command , but as a general among civilians he is surrounded by a democratic Rome which by definition refuses to grant perlocutionary force to the hero.16 Since the sociopolitical situation ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
Texts and Revels in Twelfth Night | 1 |
Jonas Barish Mixed Verse and Prose in Shakespearean Comedy | 9 |
Shakespeare Psychoanalysis History | 15 |
31 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
action appears audience authority become begins body called character claim comedy comic common course court critical cultural death describes desire early effect Elizabeth Elizabethan England English essay example experience expression fact Falstaff father figure final follow force give Hamlet hand Henry human imagination Irish James John kind King language less lines live London Lord male marriage means Measure mind misogyny nature never offers once Othello peare performance perhaps play play's political present Press provides Queen question reference relation Renaissance represented response rhetoric Richard role scene seems sense sexual Shakes Shakespeare social Sonnets speak speech stage story suggests things thou thought tion tragedy true turn University Venus woman women writing York
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Mitwirkende Personen | Gale Research Company |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810389487, 9780810389489 |
| Zitat exportieren | BiBTeX EndNote RefMan |