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Seite 88
salind / Ganymede can be understood to have performative force.23 Both of the characters know that they are only " playing " that they are not speaking " seriously " in Austin's sense - yet for both Rosalind and Orlando the scene seems ...
salind / Ganymede can be understood to have performative force.23 Both of the characters know that they are only " playing " that they are not speaking " seriously " in Austin's sense - yet for both Rosalind and Orlando the scene seems ...
Seite 154
By drawing out qualities we would not have suspected from this blowhard , the film displays armed conflict in the full force of its redemptive power . Abandoning Shakespeare's probing examination of the problematic origin and product of ...
By drawing out qualities we would not have suspected from this blowhard , the film displays armed conflict in the full force of its redemptive power . Abandoning Shakespeare's probing examination of the problematic origin and product of ...
Seite 399
15 Coriolanus refuses to plead ; he wants only to command , but as a general among civilians he is surrounded by a democratic Rome which by definition refuses to grant perlocutionary force to the hero .
15 Coriolanus refuses to plead ; he wants only to command , but as a general among civilians he is surrounded by a democratic Rome which by definition refuses to grant perlocutionary force to the hero .
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Inhalt
Histories | 19 |
Karl F Zender Isabellas Choice | 69 |
Erotic | 91 |
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