Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 65
... earlier satiric descriptions of the retiring suitors and the mingled atti- tudes of Portia and Nerissa , compounded of mockery and trepidation , as they watch each suitor approach the caskets and attend to the logic that will direct his ...
... earlier satiric descriptions of the retiring suitors and the mingled atti- tudes of Portia and Nerissa , compounded of mockery and trepidation , as they watch each suitor approach the caskets and attend to the logic that will direct his ...
Seite 93
... earlier comedies . The transition from Puck to Touchstone to Feste to Pompey Bum , for exam- ple , reveals a progressive naturalization of the figure of the clown and a consequent growing skepticism about his ability to function as an ...
... earlier comedies . The transition from Puck to Touchstone to Feste to Pompey Bum , for exam- ple , reveals a progressive naturalization of the figure of the clown and a consequent growing skepticism about his ability to function as an ...
Seite 289
... Earlier , Cantor notes in the play a " new emphasis on the mysterious depths of human interiority that goes hand in hand with the Chris- tian concern for the salvation of souls " ( p.45 ) . It seems to me that Hamlet does achieve , in ...
... Earlier , Cantor notes in the play a " new emphasis on the mysterious depths of human interiority that goes hand in hand with the Chris- tian concern for the salvation of souls " ( p.45 ) . It seems to me that Hamlet does achieve , in ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York