Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
Im Buch
Ergebnisse 1-3 von 84
Seite 18
... course the lion as well : " I will roar , that I will do any man's heart good to hear me . I will roar , that I will make the Duke say , ' Let him roar again ; let him roar again " ( I. 2.52 ; 70-73 ) . Bottom has , you might say , an ...
... course the lion as well : " I will roar , that I will do any man's heart good to hear me . I will roar , that I will make the Duke say , ' Let him roar again ; let him roar again " ( I. 2.52 ; 70-73 ) . Bottom has , you might say , an ...
Seite 128
... course of their glory " ( Epi.3-4 ) . The image is a grisly one : this is a womb that maims its progeny , even as it convulsively , " by starts , " attempts to bring them into the world . Here the earlier , frenetic tone of the Chorus ...
... course of their glory " ( Epi.3-4 ) . The image is a grisly one : this is a womb that maims its progeny , even as it convulsively , " by starts , " attempts to bring them into the world . Here the earlier , frenetic tone of the Chorus ...
Seite 160
... course of the seventeenth cen- tury . It was the Irish " wilderness " that bounded the En- glish garden , Irish " barbarity " that defined English civil- ity , Irish papistry and " superstition " that warranted En- glish religion ; it ...
... course of the seventeenth cen- tury . It was the Irish " wilderness " that bounded the En- glish garden , Irish " barbarity " that defined English civil- ity , Irish papistry and " superstition " that warranted En- glish religion ; it ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
25 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York