Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 83
... concern those moments of self - institut- ing power , or any case in which there may be a contest of power . Austin's concern is to a large extent with the given , then , and not with the origin of the system , and yet he does seem to ...
... concern those moments of self - institut- ing power , or any case in which there may be a contest of power . Austin's concern is to a large extent with the given , then , and not with the origin of the system , and yet he does seem to ...
Seite 113
... concern . . . for maintaining social and even cosmic boundaries is recon- ceived as a concern for maintaining freehold boundaries . " Although Greenblatt is certainly right to notice the crucial role that property plays in this ...
... concern . . . for maintaining social and even cosmic boundaries is recon- ceived as a concern for maintaining freehold boundaries . " Although Greenblatt is certainly right to notice the crucial role that property plays in this ...
Seite 196
... concerns significant attention . Nor do they appear to explore related areas of Lambarde's expertise in fiscal policy and real property , which are also objects of considerable contemporary royal concern and are obliquely touched on by ...
... concerns significant attention . Nor do they appear to explore related areas of Lambarde's expertise in fiscal policy and real property , which are also objects of considerable contemporary royal concern and are obliquely touched on by ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York