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Seite 63
At the close of the performance , two spectators seated a row or two behind me rose from their seats still applauding and , moved by the play's comic energy , launched into a celebration of the skills of its author .
At the close of the performance , two spectators seated a row or two behind me rose from their seats still applauding and , moved by the play's comic energy , launched into a celebration of the skills of its author .
Seite 66
The comedy of this third casket scene , then , once again works through the device of comic preparation joined to another tactic that is a constant in the casket scenes , the use of an onstage audience . Here , the primary effect is not ...
The comedy of this third casket scene , then , once again works through the device of comic preparation joined to another tactic that is a constant in the casket scenes , the use of an onstage audience . Here , the primary effect is not ...
Seite 67
son , in the case of Mammon at least , is so eager to please that he unwraps his comic gift immediately . Reaching his dose ; walking Moorfields for lepers ; And off " ring citizens ' wives pomander - bracelets , As his preservative ...
son , in the case of Mammon at least , is so eager to please that he unwraps his comic gift immediately . Reaching his dose ; walking Moorfields for lepers ; And off " ring citizens ' wives pomander - bracelets , As his preservative ...
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Inhalt
Texts and Revels in Twelfth Night | 1 |
Jonas Barish Mixed Verse and Prose in Shakespearean Comedy | 9 |
Shakespeare Psychoanalysis History | 15 |
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