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Seite 9
Only two characters talk in verse , but they do so with close to a hundred per cent regularity , whatever others may ... when the language of a scene already under way changes with the arrival of a new character , as when the usurping ...
Only two characters talk in verse , but they do so with close to a hundred per cent regularity , whatever others may ... when the language of a scene already under way changes with the arrival of a new character , as when the usurping ...
Seite 208
The character has a marvellous self - awareness about his impersonations , one that has sometimes been hailed as a sign that he is truly a rounded and coherent character , but is actually a sign that , as Dryden said , he is really a ...
The character has a marvellous self - awareness about his impersonations , one that has sometimes been hailed as a sign that he is truly a rounded and coherent character , but is actually a sign that , as Dryden said , he is really a ...
Seite 426
... 361 , 371 , 377 , 384 melancholy aspects of the character 21 : 99 , 112 , 177 , 194 as a negative character 1 : 86 , 92 , 111 , 171 , 218 ; 21 : 386 ; 25 : 209 reaction to his father's death 22 : 339 reaction to Gertrude's marriage ...
... 361 , 371 , 377 , 384 melancholy aspects of the character 21 : 99 , 112 , 177 , 194 as a negative character 1 : 86 , 92 , 111 , 171 , 218 ; 21 : 386 ; 25 : 209 reaction to his father's death 22 : 339 reaction to Gertrude's marriage ...
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Inhalt
Texts and Revels in Twelfth Night | 1 |
Jonas Barish Mixed Verse and Prose in Shakespearean Comedy | 9 |
Shakespeare Psychoanalysis History | 15 |
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