Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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... Associated University Presses , 1994. © 1994 by Associated University Presses , Inc. All rights reserved . Reprinted by permission of the publisher . Everest , Barbara . From " Much Ado About Nothing ' : The Unsociable Comedy , " in ...
... Associated University Presses , 1994. © 1994 by Associated University Presses , Inc. All rights reserved . Reprinted by permission of the publisher . Everest , Barbara . From " Much Ado About Nothing ' : The Unsociable Comedy , " in ...
Seite 175
... associated with the hidden parts , see The Comedy of Errors , where Dromio describes Nell the kitchen maid as " spherical , like a globe ; I could find out countries in her . . . . Ire- land . . . . , sir , in her buttocks , I found it ...
... associated with the hidden parts , see The Comedy of Errors , where Dromio describes Nell the kitchen maid as " spherical , like a globe ; I could find out countries in her . . . . Ire- land . . . . , sir , in her buttocks , I found it ...
Seite 330
... associated with Africa that every African seemed black man [ , ] . . . the terms Moor and Negro used almost interchangeably . " " Moor " became , G. K. Hunter observes , " a word for ' people not like us , ' so signalled by colour ...
... associated with Africa that every African seemed black man [ , ] . . . the terms Moor and Negro used almost interchangeably . " " Moor " became , G. K. Hunter observes , " a word for ' people not like us , ' so signalled by colour ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York