Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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... night and day . But she that liveth in pleasure is dead while she liveth . 1 Timothy , 5 , 5-6 Fashionably enough , the central farcical scene of Twelfth Night concerns an act of reading . What Malvolio reads and how he reads it have ...
... night and day . But she that liveth in pleasure is dead while she liveth . 1 Timothy , 5 , 5-6 Fashionably enough , the central farcical scene of Twelfth Night concerns an act of reading . What Malvolio reads and how he reads it have ...
Seite 67
... Twelfth Night shares with Jonsonian comedy is an abundance of such comic events subsumed to the requirements of the play's major action , but generating an energy that makes them almost independent episodes . I want to focus on just one ...
... Twelfth Night shares with Jonsonian comedy is an abundance of such comic events subsumed to the requirements of the play's major action , but generating an energy that makes them almost independent episodes . I want to focus on just one ...
Seite 93
... Night's Dream to the more deeply - rooted delusions of Orsino and Olivia in Twelfth Night and the radical lack of self - knowledge of Angelo and Isabella . So also with the motif of the circular journey , which in Measure for Measure ...
... Night's Dream to the more deeply - rooted delusions of Orsino and Olivia in Twelfth Night and the radical lack of self - knowledge of Angelo and Isabella . So also with the motif of the circular journey , which in Measure for Measure ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York