Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 8
... Twelfth Night " : The Experi- ence of the Audience ' , Shakespeare Survey 34 ( 1981 ) , 111-19 . See , François Laroque , Shakespeare's Festive World ( Cambridge , 1991 ) , pp . 47-8 . " The Noble Arte of Venerie ( London , 1575 ) , p ...
... Twelfth Night " : The Experi- ence of the Audience ' , Shakespeare Survey 34 ( 1981 ) , 111-19 . See , François Laroque , Shakespeare's Festive World ( Cambridge , 1991 ) , pp . 47-8 . " The Noble Arte of Venerie ( London , 1575 ) , p ...
Seite 67
... Twelfth Night shares with Jonsonian comedy is an abundance of such comic events subsumed to the requirements of the play's major action , but generating an energy that makes them almost independent episodes . I want to focus on just one ...
... Twelfth Night shares with Jonsonian comedy is an abundance of such comic events subsumed to the requirements of the play's major action , but generating an energy that makes them almost independent episodes . I want to focus on just one ...
Seite 93
... Twelfth Night and Measure for Measure . Accompanying this shift is a change in the func- tion of disguise , until in Measure for Measure the relaxed and playful masquerade of the earlier plays disappears entirely . Here Duke Vincentio ...
... Twelfth Night and Measure for Measure . Accompanying this shift is a change in the func- tion of disguise , until in Measure for Measure the relaxed and playful masquerade of the earlier plays disappears entirely . Here Duke Vincentio ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York