Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 24
... Shrew have always felt compelled to begin at the end , the site where happily - ever- after presumably begins and , in this play , the site / sight where the play produces its theatrical tour de force by offering up a prostrated woman's ...
... Shrew have always felt compelled to begin at the end , the site where happily - ever- after presumably begins and , in this play , the site / sight where the play produces its theatrical tour de force by offering up a prostrated woman's ...
Seite 25
... Shrew was written , officially prohibited for some forty years . The invocation of a ritual service that the audience would almost certainly have recognized - but recognized as anachronistic - seems to me to work two ways at once : on ...
... Shrew was written , officially prohibited for some forty years . The invocation of a ritual service that the audience would almost certainly have recognized - but recognized as anachronistic - seems to me to work two ways at once : on ...
Seite 33
... Shrew “ work ” through the unconscious displacement of class hostilities onto gender ; for women , who are the locus of that dis- placement , the fantasies this play offers must " work " in precisely the inverse way , through a ...
... Shrew “ work ” through the unconscious displacement of class hostilities onto gender ; for women , who are the locus of that dis- placement , the fantasies this play offers must " work " in precisely the inverse way , through a ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York