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Seite 216
Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to ... and Mr. Dover Wilson , " Kenyon Review 15 ( 1953 ) , revised as “ Falstaff " in Empson , Essays on Shakespeare , ed .
Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to ... and Mr. Dover Wilson , " Kenyon Review 15 ( 1953 ) , revised as “ Falstaff " in Empson , Essays on Shakespeare , ed .
Seite 230
Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations. pest ( New York : Routledge , 1992 ) ; and Barbara Freedman , Staging the Gaze : Postmodernism ...
Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations. pest ( New York : Routledge , 1992 ) ; and Barbara Freedman , Staging the Gaze : Postmodernism ...
Seite 365
For him , male / male desire existed nowhere ( in England anyway ) , not in Shakespeare's past , not in his own present ; not in language , not in deed . It was sheer make - believe : what Boswell terms , not unsalaciously , “ effusions ...
For him , male / male desire existed nowhere ( in England anyway ) , not in Shakespeare's past , not in his own present ; not in language , not in deed . It was sheer make - believe : what Boswell terms , not unsalaciously , “ effusions ...
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Inhalt
Texts and Revels in Twelfth Night | 1 |
Jonas Barish Mixed Verse and Prose in Shakespearean Comedy | 9 |
Shakespeare Psychoanalysis History | 15 |
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action appears audience authority become begins body called character claim comedy comic common course court critical cultural death describes desire early effect Elizabeth Elizabethan England English essay example experience expression fact Falstaff father figure final follow force give Hamlet hand Henry human imagination Irish James John kind King language less lines live London Lord male marriage means Measure mind misogyny nature never offers once Othello peare performance perhaps play play's political present Press provides Queen question reference relation Renaissance represented response rhetoric Richard role scene seems sense sexual Shakes Shakespeare social Sonnets speak speech stage story suggests things thou thought tion tragedy true turn University Venus woman women writing York