Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 50
... Rosalind's witty vernacular , like Beat- rice's , seems to mock the literary stories from which the play itself is derived , just as Rabelais mocks in Gargantua the transmission of learned male Humanism through the official language of ...
... Rosalind's witty vernacular , like Beat- rice's , seems to mock the literary stories from which the play itself is derived , just as Rabelais mocks in Gargantua the transmission of learned male Humanism through the official language of ...
Seite 85
... Rosalind's greatness , crit- ics have seen the play as expressing an unacknowledged but powerful homoerotic ... Rosalind / Ganymede's erotic performance is of a different nature . What Rosalind / Ganymede acts out specifically are ...
... Rosalind's greatness , crit- ics have seen the play as expressing an unacknowledged but powerful homoerotic ... Rosalind / Ganymede's erotic performance is of a different nature . What Rosalind / Ganymede acts out specifically are ...
Seite 88
... Rosalind and Orlando the scene seems to mark a shift in their relation and an end to their " courtship . " In addition , a performance can com- plicate the scene by raising questions in the audience's mind of whether Orlando has begun ...
... Rosalind and Orlando the scene seems to mark a shift in their relation and an end to their " courtship . " In addition , a performance can com- plicate the scene by raising questions in the audience's mind of whether Orlando has begun ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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