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168 ; Phyllis Rackin , ' Androgyny , Mimesis , and the Marriage of the Boy Heroine on the English Renaissance Stage ' , PMLA , 102 ( 1987 ) , 113-33 ; pp . 124-5 . 5 Steven Mullaney , The Place of the Stage ( Chicago and London , 1988 ) ...
168 ; Phyllis Rackin , ' Androgyny , Mimesis , and the Marriage of the Boy Heroine on the English Renaissance Stage ' , PMLA , 102 ( 1987 ) , 113-33 ; pp . 124-5 . 5 Steven Mullaney , The Place of the Stage ( Chicago and London , 1988 ) ...
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16 For a discussion of audience complicity , see Marjorie Garber , “ What's Past Is Prologue ' : Temporality and Prophecy in Shakespeare's History Plays , ” in Renaissance Genres : Essays on Theory , History , and Interpretation , ed .
16 For a discussion of audience complicity , see Marjorie Garber , “ What's Past Is Prologue ' : Temporality and Prophecy in Shakespeare's History Plays , ” in Renaissance Genres : Essays on Theory , History , and Interpretation , ed .
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Notes | Marvin Rosenberg's The Masks of Othello ( Berkeley : University of California Press , 1961 ) documents the nineteenth - century penchant for light - skinned Othellos , as does Ruth Cowhig's “ Blacks in English Renaissance Drama ...
Notes | Marvin Rosenberg's The Masks of Othello ( Berkeley : University of California Press , 1961 ) documents the nineteenth - century penchant for light - skinned Othellos , as does Ruth Cowhig's “ Blacks in English Renaissance Drama ...
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Inhalt
Texts and Revels in Twelfth Night | 1 |
Jonas Barish Mixed Verse and Prose in Shakespearean Comedy | 9 |
Shakespeare Psychoanalysis History | 15 |
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