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One could say that Malvolio's mistake has been to fall into the trap of taking a mad epistle for gospel , but here Olivia is not to be diverted by Feste's attempt to superimpose a theatrical style on plain sense : Orsino's recognition ...
One could say that Malvolio's mistake has been to fall into the trap of taking a mad epistle for gospel , but here Olivia is not to be diverted by Feste's attempt to superimpose a theatrical style on plain sense : Orsino's recognition ...
Seite 67
That instant was I turn'd into a hart , " — and then an interpretation of Valentine's report , in which Orsino chooses not to see a rejection of his suit but " a heart of . . . fine frame " ( 1.1.18 , 20 , 32 ) .
That instant was I turn'd into a hart , " — and then an interpretation of Valentine's report , in which Orsino chooses not to see a rejection of his suit but " a heart of . . . fine frame " ( 1.1.18 , 20 , 32 ) .
Seite 93
... from the relatively innocuous affectations of the young lovers in Midsummer Night's Dream to the more deeply - rooted delusions of Orsino and Olivia in Twelfth Night and the radical lack of self - knowledge of Angelo and Isabella .
... from the relatively innocuous affectations of the young lovers in Midsummer Night's Dream to the more deeply - rooted delusions of Orsino and Olivia in Twelfth Night and the radical lack of self - knowledge of Angelo and Isabella .
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Inhalt
Histories | 19 |
Karl F Zender Isabellas Choice | 69 |
Erotic | 91 |
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