Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 15
... Midsummer Night's Dream Nick Bot- tom the weaver wakes from his night of passion with the Queen of the Fairies , he too seeks a quotation which would do justice to what has happened . Bottom's name , and his transformation into an ass ...
... Midsummer Night's Dream Nick Bot- tom the weaver wakes from his night of passion with the Queen of the Fairies , he too seeks a quotation which would do justice to what has happened . Bottom's name , and his transformation into an ass ...
Seite 84
... Midsummer Night's Dream , where the latent tragedy in the story of the four lovers is represented in unintentionally comic form , in order that such a tragedy might be averted . It might be said to be a generic characteristic of comedy ...
... Midsummer Night's Dream , where the latent tragedy in the story of the four lovers is represented in unintentionally comic form , in order that such a tragedy might be averted . It might be said to be a generic characteristic of comedy ...
Seite 93
... Midsummer Night's Dream and As You Like It come to be replaced by the more problematic interior restraints , mental and moral , of Twelfth Night and Measure for Measure . Accompanying this shift is a change in the func- tion of disguise ...
... Midsummer Night's Dream and As You Like It come to be replaced by the more problematic interior restraints , mental and moral , of Twelfth Night and Measure for Measure . Accompanying this shift is a change in the func- tion of disguise ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York