Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 343
... Macduff ” ( p . 82 ) , and Rosenberg concurs . I would suggest that Macduff ' retreats ' after his last line ( 39 ) , marking his solo exit from the stage with a rhymed couplet . Ross then address- es the Old Man , whose reply , also a ...
... Macduff ” ( p . 82 ) , and Rosenberg concurs . I would suggest that Macduff ' retreats ' after his last line ( 39 ) , marking his solo exit from the stage with a rhymed couplet . Ross then address- es the Old Man , whose reply , also a ...
Seite 430
... Macduff 25 : 235 madness 19 : 330 Malcolm 25 : 235 manhood , theme of 3 : 262 , 309 , 333 moral lesson 20:23 murder scene ( Act II , scene ii ) , staging of 20 : 175 mythic elements 3 : 208 , 269 , 275 , 318 Neoclassical rules 3 : 170 ...
... Macduff 25 : 235 madness 19 : 330 Malcolm 25 : 235 manhood , theme of 3 : 262 , 309 , 333 moral lesson 20:23 murder scene ( Act II , scene ii ) , staging of 20 : 175 mythic elements 3 : 208 , 269 , 275 , 318 Neoclassical rules 3 : 170 ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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