Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 178
... Kean , to raise our imagination of a character . Hazlitt was a great admirer of Kean's but he was also exact and exacting . He did not share the general admiration for Kean's Richard II . He said that Kean made it ' a character of ...
... Kean , to raise our imagination of a character . Hazlitt was a great admirer of Kean's but he was also exact and exacting . He did not share the general admiration for Kean's Richard II . He said that Kean made it ' a character of ...
Seite 179
... Kean's playing of the part as a whole , that it was too rambunctious . But in itself Hazlitt's idea of the way to play this scene is not self - evidently superior to Kean's . One can see an attrac- tion in both ways of doing it . Both ...
... Kean's playing of the part as a whole , that it was too rambunctious . But in itself Hazlitt's idea of the way to play this scene is not self - evidently superior to Kean's . One can see an attrac- tion in both ways of doing it . Both ...
Seite 417
... Kean - assuming he was playing Lear himself - would not have totally elim- inated words there . Problems of Narrative and Character The opening scene shows us something of the struggle that man has to exert to impose order on his ...
... Kean - assuming he was playing Lear himself - would not have totally elim- inated words there . Problems of Narrative and Character The opening scene shows us something of the struggle that man has to exert to impose order on his ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York