Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 160
... Irish " barbarity " that defined English civility , Irish papistry and " superstition " that warranted English religion ; it was Irish " lawlessness " that demonstrated the superiority of English law , and Irish " wandering " that ...
... Irish " barbarity " that defined English civility , Irish papistry and " superstition " that warranted English religion ; it was Irish " lawlessness " that demonstrated the superiority of English law , and Irish " wandering " that ...
Seite 165
... Irish " had fallen into a perverse " community of language " with the " mere Irish . " Since such " unnatural " community involved a falling away from the laws of kind , its processes were often explained ( as in the Circe trope ) in ...
... Irish " had fallen into a perverse " community of language " with the " mere Irish . " Since such " unnatural " community involved a falling away from the laws of kind , its processes were often explained ( as in the Circe trope ) in ...
Seite 173
... Irish , whom he repeatedly calls " monsters , " are worse than the wildest beasts , since beasts at least can be tamed , whereas the Irish will invariably revert to their wildness : Yea though they were in court trained up , and years ...
... Irish , whom he repeatedly calls " monsters , " are worse than the wildest beasts , since beasts at least can be tamed , whereas the Irish will invariably revert to their wildness : Yea though they were in court trained up , and years ...
Inhalt
Histories | 19 |
Karl F Zender Isabellas Choice | 69 |
Erotic | 91 |
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action appears audience authority become body called character claim common course court critical cultural death describes desire early effect Elizabeth Elizabethan England English essay Essex example experience expression fact Falstaff festive figure final follow force give Hamlet hand Henry human idea imagination interest Irish James John kind King language less lines live London Lord male Marxism means mind misogyny nature never offers once Othello peare performance perhaps play political popular position present Press Queen question reading reference relation Renaissance represented response rhetoric Richard role says scene secret seems sense sexual Shakes Shakespeare social society Sonnets speak speech stage story Studies suggests things thought tion tragedy true turn University Venice Venus women York