Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 160
... Irish " barbarity " that defined English civil- ity , Irish papistry and " superstition " that warranted En- glish religion ; it was Irish " lawlessness " that demonstrat- ed the superiority of English law , and Irish " wandering ...
... Irish " barbarity " that defined English civil- ity , Irish papistry and " superstition " that warranted En- glish religion ; it was Irish " lawlessness " that demonstrat- ed the superiority of English law , and Irish " wandering ...
Seite 165
... Irish " had fallen into a perverse " community of language " with the " mere Irish . " Since such " unnatural " community involved a falling away from the laws of kind , its processes were often explained ( as in the Circe trope ) in ...
... Irish " had fallen into a perverse " community of language " with the " mere Irish . " Since such " unnatural " community involved a falling away from the laws of kind , its processes were often explained ( as in the Circe trope ) in ...
Seite 173
... Irish , whom he repeatedly calls " monsters , " are worse than the wildest beasts , since beasts at least can be tamed , whereas the Irish will invariably revert to their wildness : Yea though they were in court trained up , and years ...
... Irish , whom he repeatedly calls " monsters , " are worse than the wildest beasts , since beasts at least can be tamed , whereas the Irish will invariably revert to their wildness : Yea though they were in court trained up , and years ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York