Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 150
... Henry's tri- umph , striking an insistently sour note . When he reveals the traitors ' plot , Henry saves his most bitter invective for Scroop ( " his bedfellow , " who seemed " [ c ] onstant in spirit , not swerving with the blood ...
... Henry's tri- umph , striking an insistently sour note . When he reveals the traitors ' plot , Henry saves his most bitter invective for Scroop ( " his bedfellow , " who seemed " [ c ] onstant in spirit , not swerving with the blood ...
Seite 151
... Henry's speech- es , the audience is deprived of either the impulse or the frame for responding critically to that language . In its place Branagh has inserted a set of flashbacks to Henry's prior friendship with the commoners , which ...
... Henry's speech- es , the audience is deprived of either the impulse or the frame for responding critically to that language . In its place Branagh has inserted a set of flashbacks to Henry's prior friendship with the commoners , which ...
Seite 156
... Henry's glorious exploits , " spurs the audience to exercise political judg- ment , requiring them to re - evaluate Henry's conduct ( Larry Champion , " The Noise of Threatening Drum " : Dramatic Strategy and Political Ideology in ...
... Henry's glorious exploits , " spurs the audience to exercise political judg- ment , requiring them to re - evaluate Henry's conduct ( Larry Champion , " The Noise of Threatening Drum " : Dramatic Strategy and Political Ideology in ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York