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Seite 144
Not surprisingly , actors ( Gielgud and Jacobi , e.g. ) , have found the gorgeous language of the play a problem in their attempts to actualize character and action on the stage : Malcolm Page , Richard II , Text and Performance ...
Not surprisingly , actors ( Gielgud and Jacobi , e.g. ) , have found the gorgeous language of the play a problem in their attempts to actualize character and action on the stage : Malcolm Page , Richard II , Text and Performance ...
Seite 179
But in fact — and this is where Gielgud's comment about Richard II is so shrewd — this idyllic self - absorption can only be a halftruth , a more or less fragile fiction . Richard must also be on his guard , watching out for the forces ...
But in fact — and this is where Gielgud's comment about Richard II is so shrewd — this idyllic self - absorption can only be a halftruth , a more or less fragile fiction . Richard must also be on his guard , watching out for the forces ...
Seite 183
9 * John Gielgud , Stage Directions ( 1963 ) , reprinted in the Macmillan Casebook , p . 77 . See Carlo Cipolla , Clocks and Culture , 1300-1700 ( London , 1967 ) . s Walter Pater , Appreciations ( 1889 ) , reprinted in the Macmillan ...
9 * John Gielgud , Stage Directions ( 1963 ) , reprinted in the Macmillan Casebook , p . 77 . See Carlo Cipolla , Clocks and Culture , 1300-1700 ( London , 1967 ) . s Walter Pater , Appreciations ( 1889 ) , reprinted in the Macmillan ...
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Inhalt
Texts and Revels in Twelfth Night | 1 |
Jonas Barish Mixed Verse and Prose in Shakespearean Comedy | 9 |
Shakespeare Psychoanalysis History | 15 |
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