Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
Im Buch
Ergebnisse 1-3 von 26
Seite 224
... ghost's lust for vengeance ( as he urges Hamlet to remember him and , almost literally , dismember Claudius ) . If Hamlet would only be the re- venger that the ghost and we expect him to be , we could know him , or at least know him ...
... ghost's lust for vengeance ( as he urges Hamlet to remember him and , almost literally , dismember Claudius ) . If Hamlet would only be the re- venger that the ghost and we expect him to be , we could know him , or at least know him ...
Seite 234
... ghost . This figurative unearthing provides the play with one of its most potent moments of unlocking as the tomb is broken to release the restless spirit . Typically the ghost is surrounded in mystery : ' This to me / In dread- ful ...
... ghost . This figurative unearthing provides the play with one of its most potent moments of unlocking as the tomb is broken to release the restless spirit . Typically the ghost is surrounded in mystery : ' This to me / In dread- ful ...
Seite 286
... ghost , or stuck in a morally repellent revenge tragedy , with a hero whose continued dedication to vengeance would render his religiosity pointless . Ham- let's shaping and ordaining God is the theological con- struct of a specific man ...
... ghost , or stuck in a morally repellent revenge tragedy , with a hero whose continued dedication to vengeance would render his religiosity pointless . Ham- let's shaping and ordaining God is the theological con- struct of a specific man ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
25 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York