Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 55
... gentlemen here seem to be ladies and the ladies gentlemen . The reference is partic- ularly interesting as evidence of the play's being per- formed in the public theatre probably some time in 1603 , so that the Epilogue would have been ...
... gentlemen here seem to be ladies and the ladies gentlemen . The reference is partic- ularly interesting as evidence of the play's being per- formed in the public theatre probably some time in 1603 , so that the Epilogue would have been ...
Seite 77
... gentlemen are the ideal cus- todians of both the town and the nation . By assigning to town gentlemen the task of defining and protecting local and national order , Shakespeare promotes , more precisely , the regional and national ...
... gentlemen are the ideal cus- todians of both the town and the nation . By assigning to town gentlemen the task of defining and protecting local and national order , Shakespeare promotes , more precisely , the regional and national ...
Seite 78
... gentlemen " to the crown's economic policies and their ability to secure town monopoly over trade and industry is predicated upon a network of in- sults that helps to obscure both the town gentlemen's varying relations to absolutism and ...
... gentlemen " to the crown's economic policies and their ability to secure town monopoly over trade and industry is predicated upon a network of in- sults that helps to obscure both the town gentlemen's varying relations to absolutism and ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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Häufige Begriffe und Wortgruppen
action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York