Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 426
... Garrick's adap- tation ) 21:23 , 334 , 347 Laertes 21 : 347 , 386 ; 28 : 290 language and imagery 1:95 , 144 , 153 , 154 , 160 , 188 , 198 , 221 , 227 , 249 , 259 , 270 ; 22 : 258 , 378 ; 28 : 311 madness 19 : 330 marriage 22 : 339 ...
... Garrick's adap- tation ) 21:23 , 334 , 347 Laertes 21 : 347 , 386 ; 28 : 290 language and imagery 1:95 , 144 , 153 , 154 , 160 , 188 , 198 , 221 , 227 , 249 , 259 , 270 ; 22 : 258 , 378 ; 28 : 311 madness 19 : 330 marriage 22 : 339 ...
Seite 436
... Garrick's adap- tation ) 12 : 309 , 310 , 311 , 416 deception , theme of 12 : 416 Elizabethan staging 12 : 313 , 314 , 316 , 317 , 337 , 338 as a farce 9 : 330 , 337 , 338 , 341 , 342 , 365 , 381 , 386 , 413 , 426 folk elements 9 : 381 ...
... Garrick's adap- tation ) 12 : 309 , 310 , 311 , 416 deception , theme of 12 : 416 Elizabethan staging 12 : 313 , 314 , 316 , 317 , 337 , 338 as a farce 9 : 330 , 337 , 338 , 341 , 342 , 365 , 381 , 386 , 413 , 426 folk elements 9 : 381 ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York