Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 112
... Cade concludes with the starving rebel's defeat at the hands of Alexander Iden , a self - styled " poor esquire of Kent " whom Cade formally terms " the lord of the soil " that provides the setting for their notably unequal com- bat ...
... Cade concludes with the starving rebel's defeat at the hands of Alexander Iden , a self - styled " poor esquire of Kent " whom Cade formally terms " the lord of the soil " that provides the setting for their notably unequal com- bat ...
Seite 113
... Cade . Although Cade's aggressive challenge- " Ah , villain , thou wilt betray me , and get a thousand crowns of the King by carrying my head to him ; but I'll make thee eat iron like an ostrich , and swallow my sword like a great pin ...
... Cade . Although Cade's aggressive challenge- " Ah , villain , thou wilt betray me , and get a thousand crowns of the King by carrying my head to him ; but I'll make thee eat iron like an ostrich , and swallow my sword like a great pin ...
Seite 118
... Cade would apparel all " in one livery , that they may agree like brothers , and worship me their lord " ( 4.2.70-72 ) . Cade's determination to reserve this pivotal distinction for himself is expressed with a good deal more consistency ...
... Cade would apparel all " in one livery , that they may agree like brothers , and worship me their lord " ( 4.2.70-72 ) . Cade's determination to reserve this pivotal distinction for himself is expressed with a good deal more consistency ...
Inhalt
Texts and Revels in Twelfth Night | 1 |
Jonas Barish Mixed Verse and Prose in Shakespearean Comedy | 9 |
Shakespeare Psychoanalysis History | 15 |
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action Adonis Antonio appears audience become Cade Caliban Cambridge character Claudius comedy comic context court Coventry scene critical cultural Cymbeline death Desdemona desire discourse dramatic early modern edition Elizabeth Elizabethan England English essay Essex Falstaff father female festive gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello peare peare's performance Petrarch play's plot poems political popular Procris prose Prospero Queen Renaissance rhetoric Richard Richard II role Rosalind secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion Titus Andronicus tragedy tragic trans Univ University Press utterance Venice Venus verse woman women words York