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398 BURNS HIS PROSE INFERIOR TO HIS VERSE ;

Scottish compositions are greatly to be preferred to his English ones; and that his Songs will probably outlive all his other productions. A very few remarks on each of these subjects will comprehend almost all that we have to say of the volumes now before us.

The prose works of Burns consist almost entirely of his letters. They bear, as well as his poetry, the seal and the impress of his genius; but they contain much more bad taste, and are written with far more apparent labour. His poetry was almost all written primarily from feeling, and only secondarily from ambition. His letters seem to have been nearly all composed as exercises, and for display. There are few of them written with simplicity or plainness; and though natural enough as to the sentiment, they are generally very strained and elaborate in the expression. A very great proportion of them, too, relate neither to facts nor feelings peculiarly connected with the author or his correspondent- but are made up of general declamation, moral reflections, and vague discussions - all evidently composed for the sake of effect, and frequently introduced with long complaints of having nothing to say, and of the necessity and difficulty of letter-writing.

By far the best of those compositions, are such as we should consider as exceptions from this general character - such as contain some specific information as to himself, or are suggested by events or observations directly applicable to his correspondent. One of the best, perhaps, is that addressed to Dr. Moore, containing an account of his early life, of which Dr. Currie has made such a judicious use in his Biography. It is written with great clearness and characteristic effect, and contains many touches of easy humour and natural eloquence. We are struck, as we open the book accidentally, with the following original application of a classical image, by this unlettered rustic. Talking of the first vague aspirations of his own gigantic mind, he says-we think very finely "I had felt some early stirrings of ambition; but they were the blind gropings of Homer's Cyclop round the walls of his cave!" Of his other letters, those

BUT SOME EXCELLENT LETTERS.

399

addressed to Mrs. Dunlop are, in our opinion, by far the best. He appears, from first to last, to have stood somewhat in awe of this excellent lady; and to have been no less sensible of her sound judgment and strict sense of propriety, than of her steady and generous partiality. The following passage we think is striking and charac

teristic:

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"I own myself so little a Presbyterian, that I approve of set times and seasons of more than ordinary acts of devotion, for breaking in on that habituated routine of life and thought which is so apt to reduce our existence to a kind of instinct, or even sometimes, and with some minds, to a state very little superior to mere machinery.

"This day; the first Sunday of May; a breezy, blue-skyed noon, some time about the beginning, and a hoary morning and calm sunny day about the end, of autumn; these, time out of mind, have been with me a kind of holiday.

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"I believe I owe this to that glorious paper in the Spectator, The Vision of Mirza;' a piece that struck my young fancy before I was capable of fixing an idea to a word of three syllables. 'On the 5th day of the moon, which, according to the custom of my forefathers, I always keep holy, after having washed myself, and offered up my morning devotions, I ascended the high hill of Bagdat, in order to pass the rest of the day in meditation and prayer.'

"We know nothing, or next to nothing, of the substance or structure of our souls, so cannot account for those seeming caprices in them, that one should be particularly pleased with this thing, or struck with that, which, on minds of a different cast, makes no extraordinary impression. I have some favourite flowers in spring; among which are the mountain-daisy, the hare-bell, the fox-glove, the wild brierrose, the budding birch, and the hoary hawthorn, that I view and hang over with particular delight. I never hear the loud, solitary whistle of the curlew in a summer noon, or the wild mixing cadence of a troop of grey plover in an autumnal morning, without feeling an elevation of soul, like the enthusiasm of devotion or poetry. Tell me, my dear friend, to what can this be owing? Are we a piece of machinery, which, like the Eolian harp, passive, takes the impression of the passing accident? Or do these workings argue something within us above the trodden clod?"-vol. ii. p. 195–197.

To this we may add the following passage, as a part, indeed, of the same picture:

"There is scarcely any earthly object gives me more - I do not know if I should call it pleasure-but something which exalts me, something which enraptures me - than to walk in the sheltered side of a wood, or high plantation, in a cloudy winter-day, and hear the stormy wind howling among the trees, and raving over the plain! It is my best season for devotion: my mind is wrapt up in a kind of

400

BURNS-EARLY LETTER TO HIS FATHER.

enthusiasm to Him, who, in the pompous language of the Hebrew bard, "walks on the wings of the wind."-vol. ii. p. 11.

The following is one of the best and most striking of a whole series of eloquent hypochondriasm.

"After six weeks' confinement, I am beginning to walk across the room. They have been six horrible weeks;-anguish and low spirits made me unfit to read, write, or think.

"I have a hundred times wished that one could resign life as an officer resigns a commission: for I would not take in any poor, ignorant wretch, by selling out. Lately I was a sixpenny private; and, God knows, a miserable soldier enough: now I march to the campaign, a starving cadet- a little more conspicuously wretched.

"I am ashamed of all this; for though I do want bravery for the warfare of life, I could wish, like some other soldiers, to have as much fortitude or cunning as to dissemble or conceal my cowardice.”vol. ii. p. 127, 128.

One of the most striking letters in the collection, and, to us, one of the most interesting, is the earliest of the whole series; being addressed to his father in 1781, six or seven years before his name had been heard of out of his own family. The author was then a common flaxdresser, and his father a poor peasant;-yet there is not one trait of vulgarity, either in the thought or the expression; but, on the contrary, a dignity and elevation of sentiment, which must have been considered as of good omen in a youth of much higher condition. The letter is as follows:

"Honoured Sir,-I have purposely delayed writing, in the hope that I should have the pleasure of seeing you on New-year's Day; but work comes so hard upon us, that I do not choose to be absent on that account, as well as for some other little reasons, which I shall tell you at meeting. My health is nearly the same as when you were here, only my sleep is a little sounder, and, on the whole, I am rather better than otherwise, though I mend by very slow degrees. The weakness of my nerves has so debilitated my mind, that I dare neither review past wants, nor look forward into futurity; for the least anxiety or perturbation in my breast produces most unhappy effects on my whole frame. Sometimes, indeed, when for an hour or two my spirits are a little lightened, I glimmer a little into futurity; but my principal, and indeed my only pleasurable employment, is looking backwards and forwards, in a moral and religious way. I am quite transported at the thought, that ere long, perhaps very soon, I shall bid an eternal adieu to all the pains, and uneasinesses, and disquietudes of this weary life; for I assure you I am heartily tired of it; and, if I do not very much deceive myself, I could contentedly and gladly resign it.

OUR SCOTCH NOT A RUDE PROVINCIAL DIALECT. 401

'The soul, uneasy, and confin'd at home

Rests and expatiates in a life to come.'

"It is for this reason I am more pleased with the 15th, 16th, and 17th verses of the 7th chapter of the Revelations, than with any ten times as many verses in the whole Bible, and would not exchange the noble enthusiasm with which they inspire me for all that this world has to offer. As for this world, I despair of ever making a figure in it. I am not formed for the bustle of the busy, nor the flutter of the gay. I shall never again be capable of entering into such scenes. Indeed I am altogether unconcerned at the thoughts of this life. I foresee that poverty and obscurity probably await me; and I am in some measure prepared, and daily preparing to meet them. I have but just time and paper to return you my grateful thanks for the lessons of virtue and piety you have given me; which were too much neglected at the time of giving them, but which, I hope, have been remembered ere it is yet too late."-vol. i. p. 99–101.

Before proceeding to take any particular notice of his poetical compositions, we must take leave to apprise our Southern readers, that all his best pieces are written in Scotch; and that it is impossible for them to form any adequate judgment of their merits, without a pretty long residence among those who still use that language. To be able to translate the words, is but a small part of the knowledge that is necessary. The whole genius and idiom of the language must be familiar; and the characters, and habits, and associations of those who speak it. We beg leave too, in passing, to observe, that this Scotch is not to be considered as a provincial dialect the vehicle only of rustic vulgarity and rude local humour. It is the language of a whole country -long an independent kingdom, and still separate in laws, character, and manners. It is by no means peculiar to the vulgar; but is the common speech of the whole nation in early life-and, with many of its most exalted and accomplished individuals, throughout their whole existence; and, though it be true that, in later times, it has been, in some measure, laid aside by the more ambitious and aspiring of the present generation, it is still recollected, even by them, as the familiar language of their childhood, and of those who were the earliest objects of their love and veneration. It is connected, in their imagination, not only with that olden time which

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402 BURNS HIS SCOTCH MORE STUDIED THAN HIS ENGLISH.

is uniformly conceived as more pure, lofty, and simple than the present, but also with all the soft and bright colours of remembered childhood and domestic affection. All its phrases conjure up images of schoolday innocence, and sports, and friendships which have no pattern in succeeding years. Add to all this, that it is the language of a great body of poetry, with which almost all Scotchmen are familiar; and, in particular, of a great multitude of songs, written with more tenderness, nature, and feeling, than any other lyric compositions that are extant—and we may perhaps be allowed to say, that the Scotch is, in reality, a highly poetical language; and that it is an ignorant, as well as an illiberal prejudice, which would seek to confound it with the barbarous dialects of Yorkshire or Devon. In composing his Scottish poems, therefore, Burns did not merely make an instinctive and necessary use of the only dialect he could employ. The last letter which we have quoted, proves, that before he had penned a single couplet, he could write in the dialect of England with far greater purity and propriety than nine tenths of those who are called well educated in that country. He wrote in Scotch, because the writings which he most aspired to imitate were composed in that language; and it is evident, from the variations preserved by Dr. Currie, that he took much greater pains with the beauty and purity of his expressions in Scotch than in English; and, every one who understands both, must admit, with infinitely better

success.

But though we have ventured to say thus much in praise of the Scottish poetry of Burns, we cannot presume to lay many specimens of it before our readers; and, in the few extracts we may be tempted to make from the volumes before us, shall be guided more by a desire to exhibit what may be intelligible to all our readers, than by a feeling of what is in itself of the highest excellence.

We have said that Burns is almost equally distinguished for his tenderness and his humour: - we might have added, for a faculty of combining them both

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