Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgabe 1Indiana University Press, 1993 |
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Seite 12
... tells me together we'd be happy . [ Baby ] [ Oh baby ] [ I'd love to ] [ Be your daddy ] I will be your father ... telling me so ... [ Heaven is a kiss and a smile ] Just hold on , hold on and I won't let you go ... [ My baby ] I will be ...
... tells me together we'd be happy . [ Baby ] [ Oh baby ] [ I'd love to ] [ Be your daddy ] I will be your father ... telling me so ... [ Heaven is a kiss and a smile ] Just hold on , hold on and I won't let you go ... [ My baby ] I will be ...
Seite 55
... tells both affirm and question each other . Just as the film puts its rookie heroine through a testing series of situations , so this viewer found herself while watching the film , as well as when reflecting on it , struggling to assess ...
... tells both affirm and question each other . Just as the film puts its rookie heroine through a testing series of situations , so this viewer found herself while watching the film , as well as when reflecting on it , struggling to assess ...
Seite 163
... tells his story to an anonymous interlocutor shortly before his death , presents his mother as cynosural indeed : " She was about thirty - seven or thirty - eight . . . . She was very handsome ... you could not help remarking her ...
... tells his story to an anonymous interlocutor shortly before his death , presents his mother as cynosural indeed : " She was about thirty - seven or thirty - eight . . . . She was very handsome ... you could not help remarking her ...
Inhalt
Introduction | 3 |
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
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academic American analysis appear argues Barthes Barthes's beauty become begin Blue body calls castration cinema critical culture death desire difference discourse discussion Dracula effect essay example experience face fantasy fashion Father Figure fear female feminine feminism feminist film final Gauss gender George gives homophobic homosexuality human intellectual issue kind knowledge language less look lyric male Marilyn meaning Megan Michael Miller misogyny Monroe mother move myth narrative never novel object once original perhaps Photograph play political popular position postmodern present professor puts question reading relation representation role says scene seems sexual shows social song speak specific story studies suggests taxi Teleny tells theory tion tradition truth turn University vampire Virginia Woolf voice woman women writes York