Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgabe 1Indiana University Press, 1993 |
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Seite 114
... story — she was then punished for refusing to tell her story for fame or a fee : " More than a dozen times in the past few weeks , People approached Anita Hill or her representatives for her account of her unwanted time in the spotlight ...
... story — she was then punished for refusing to tell her story for fame or a fee : " More than a dozen times in the past few weeks , People approached Anita Hill or her representatives for her account of her unwanted time in the spotlight ...
Seite 122
... story is , as Walker reminds us , an old story an old wives ' tale , so to speak that functions to disavow the experience of the black woman so movingly depicted by Harriet Jacobs , whom Bray quotes : " My master began to whisper foul ...
... story is , as Walker reminds us , an old story an old wives ' tale , so to speak that functions to disavow the experience of the black woman so movingly depicted by Harriet Jacobs , whom Bray quotes : " My master began to whisper foul ...
Seite 127
... stories we listen to again and again and never tire of retelling . " Love never dies , " announced the slogan for Coppola's ... story that never seems to come to an end , that never quite drops out of circula- tion . Moreover , this very ...
... stories we listen to again and again and never tire of retelling . " Love never dies , " announced the slogan for Coppola's ... story that never seems to come to an end , that never quite drops out of circula- tion . Moreover , this very ...
Inhalt
Introduction | 3 |
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
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Häufige Begriffe und Wortgruppen
academic American analysis Anita Hill argues audience Barthes's beauty become Bigelow Blue Steel body Bram Stoker's Dracula camera Coppola Cornell critical critique D.W. Griffith death debate desire Dirty Harriet discourse Dracula early cinema essay ethnic example experience fantasy fashion model Father Figure Faxon fear female feminine feminism feminist fetishism fiction film theory film's Freud Gauss gay male gender genre George Michael Grieux heterosexual homophobia homosexuality icon intellectual Kristeva look Lost Language love song lyric MacKinnon Marilyn Monroe masculine Medusa Megan melancholia Miller misogyny Monroe's mother movie music video myth narrative novel obsession Photograph political popular culture postmodern professor psychoanalysis question reading representation Roland Barthes role Routledge Sammy and Rosie says scene sequence sexual difference social Stoker's story strigoi studies Tania Modleski taxi driver Teleny television thriller tion tradition Trans vampire viewers Virginia Woolf visual voice woman women writes York Žižek