Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgabe 1Indiana University Press, 1993 |
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Seite 55
... scene poses that the downbeat end of the film inexorably returns us . Blue Steel's treatment of origins is adumbrated in its opening moments by a particularly brutal primal scene . Against a back- ground of shouting , threats , and ...
... scene poses that the downbeat end of the film inexorably returns us . Blue Steel's treatment of origins is adumbrated in its opening moments by a particularly brutal primal scene . Against a back- ground of shouting , threats , and ...
Seite 57
... scene in which a young detective , significantly dubbed Nick Mann , tells his superior a dirty joke . Nick's generic status notwithstanding , Bigelow never lets gender alone rule the narrative ; at almost every point of the film , the ...
... scene in which a young detective , significantly dubbed Nick Mann , tells his superior a dirty joke . Nick's generic status notwithstanding , Bigelow never lets gender alone rule the narrative ; at almost every point of the film , the ...
Seite 62
... scene in which Megan dresses for her graduation in her uniform , opens up the question of the woman's fantasy and pleasure , inaugurating an inquiry into Megan's investment in androgyny and / or masculinity . The elec- tronic music and ...
... scene in which Megan dresses for her graduation in her uniform , opens up the question of the woman's fantasy and pleasure , inaugurating an inquiry into Megan's investment in androgyny and / or masculinity . The elec- tronic music and ...
Inhalt
Introduction | 3 |
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
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