Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgabe 1Indiana University Press, 1993 |
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Seite 55
... scene poses that the downbeat end of the film inexorably returns us . Blue Steel's treatment of origins is adumbrated in its opening moments by a particularly brutal primal scene . Against a back- ground of shouting , threats , and ...
... scene poses that the downbeat end of the film inexorably returns us . Blue Steel's treatment of origins is adumbrated in its opening moments by a particularly brutal primal scene . Against a back- ground of shouting , threats , and ...
Seite 57
... scene in which a young detective , significantly dubbed Nick Mann , tells his superior a dirty joke . Nick's generic status notwithstanding , Bigelow never lets gender alone rule the narrative ; at almost every point of the film , the ...
... scene in which a young detective , significantly dubbed Nick Mann , tells his superior a dirty joke . Nick's generic status notwithstanding , Bigelow never lets gender alone rule the narrative ; at almost every point of the film , the ...
Seite 62
... scene in which Megan dresses for her graduation in her uniform , opens up the question of the woman's fantasy and pleasure , inaugurating an inquiry into Megan's investment in androgyny and / or masculinity . The elec- tronic music and ...
... scene in which Megan dresses for her graduation in her uniform , opens up the question of the woman's fantasy and pleasure , inaugurating an inquiry into Megan's investment in androgyny and / or masculinity . The elec- tronic music and ...
Inhalt
Introduction | 3 |
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
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Häufige Begriffe und Wortgruppen
academic American analysis Anita Hill argues audience Barthes's beauty become Bigelow Blue Steel body Bram Stoker's Dracula camera Coppola Cornell critical critique D.W. Griffith death debate desire Dirty Harriet discourse Dracula early cinema essay ethnic example experience fantasy fashion model Father Figure Faxon fear female feminine feminism feminist fetishism fiction film theory film's Freud Gauss gay male gender genre George Michael Grieux heterosexual homophobia homosexuality icon intellectual Kristeva look Lost Language love song lyric MacKinnon Marilyn Monroe masculine Medusa Megan melancholia Miller misogyny Monroe's mother movie music video myth narrative novel obsession Photograph political popular culture postmodern professor psychoanalysis question reading representation Roland Barthes role Routledge Sammy and Rosie says scene sequence sexual difference social Stoker's story strigoi studies Tania Modleski taxi driver Teleny television thriller tion tradition Trans vampire viewers Virginia Woolf visual voice woman women writes York Žižek