Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgabe 1Indiana University Press, 1993 |
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Seite 29
... represents what keeps us going ; and he stands at the head of what he represents because he knows what it is that he represents , but knows also that he cannot , if he is to transmit it to others , commit himself to any one form of it ...
... represents what keeps us going ; and he stands at the head of what he represents because he knows what it is that he represents , but knows also that he cannot , if he is to transmit it to others , commit himself to any one form of it ...
Seite 36
... represents Gauss's conversations with a work- ing - class student , we receive a very different view of the function of the university from the one that the tributes to Gauss offered . As Gauss's interlocutor puts it at the end of the ...
... represents Gauss's conversations with a work- ing - class student , we receive a very different view of the function of the university from the one that the tributes to Gauss offered . As Gauss's interlocutor puts it at the end of the ...
Seite 97
... represents " brains , ” not " body " ? ( As Freedman notes , Dylan " legitimized " himself by claiming to be influenced by Rimbaud [ 209 ] ; Harris belittles readings of Madonna's high - brow borrowings . ) Or , is it that being male ...
... represents " brains , ” not " body " ? ( As Freedman notes , Dylan " legitimized " himself by claiming to be influenced by Rimbaud [ 209 ] ; Harris belittles readings of Madonna's high - brow borrowings . ) Or , is it that being male ...
Inhalt
Introduction | 3 |
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
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academic American analysis appear argues Barthes Barthes's beauty become begin Blue body calls castration cinema critical culture death desire difference discourse discussion Dracula effect essay example experience face fantasy fashion Father Figure fear female feminine feminism feminist film final Gauss gender George gives homophobic homosexuality human intellectual issue kind knowledge language less look lyric male Marilyn meaning Megan Michael Miller misogyny Monroe mother move myth narrative never novel object once original perhaps Photograph play political popular position postmodern present professor puts question reading relation representation role says scene seems sexual shows social song speak specific story studies suggests taxi Teleny tells theory tion tradition truth turn University vampire Virginia Woolf voice woman women writes York