Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgabe 1Indiana University Press, 1993 |
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Seite 36
... representation in this conception of the enjoyable uni- versity . In this representation Gauss becomes the embodied fig- ure of the harried dean . Here , Gauss is fully in the world , a world of elite college students out for all the ...
... representation in this conception of the enjoyable uni- versity . In this representation Gauss becomes the embodied fig- ure of the harried dean . Here , Gauss is fully in the world , a world of elite college students out for all the ...
Seite 69
... representation of characteristic fantasy incites violence with the effect of the violent genres of film narratives that repeat the representation of phallic femininity . A further familiar question about the relationship of fantasy to ...
... representation of characteristic fantasy incites violence with the effect of the violent genres of film narratives that repeat the representation of phallic femininity . A further familiar question about the relationship of fantasy to ...
Seite 126
... representation . " On the watch last night I saw It , like a man , tall and thin , and ghastly pale . It was in the bows , and looking out . I crept behind It , and gave It my knife ; but the knife went through It , empty as the air ...
... representation . " On the watch last night I saw It , like a man , tall and thin , and ghastly pale . It was in the bows , and looking out . I crept behind It , and gave It my knife ; but the knife went through It , empty as the air ...
Inhalt
Introduction | 3 |
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
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academic American analysis appear argues Barthes Barthes's beauty become begin Blue body calls castration cinema critical culture death desire difference discourse discussion Dracula effect essay example experience face fantasy fashion Father Figure fear female feminine feminism feminist film final Gauss gender George gives homophobic homosexuality human intellectual issue kind knowledge language less look lyric male Marilyn meaning Megan Michael Miller misogyny Monroe mother move myth narrative never novel object once original perhaps Photograph play political popular position postmodern present professor puts question reading relation representation role says scene seems sexual shows social song speak specific story studies suggests taxi Teleny tells theory tion tradition truth turn University vampire Virginia Woolf voice woman women writes York