Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgabe 1Indiana University Press, 1993 |
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Seite 37
... popular discourse . Thus , the film semiotician who might want to gain knowledge over contemporary popular cinema might discover that he / she is already known by that cinema , already reduced to a cliché of the new brand of hip ...
... popular discourse . Thus , the film semiotician who might want to gain knowledge over contemporary popular cinema might discover that he / she is already known by that cinema , already reduced to a cliché of the new brand of hip ...
Seite 96
Berkeley Journal for Theoretical Studies in Media and Culture. ated with more popular entertainments ( Bourdieu 34-35 ) .1 I've explored elsewhere how this disruption of the high / low bound- ary works in popular representations of ...
Berkeley Journal for Theoretical Studies in Media and Culture. ated with more popular entertainments ( Bourdieu 34-35 ) .1 I've explored elsewhere how this disruption of the high / low bound- ary works in popular representations of ...
Seite 127
... popular culture . If popular culture is , as Stuart Hall has recently reminded us , “ an arena that is profoundly mythic . . . a theater of popular desires , a theater of popular fantasies ” ( 32 ) , then one way in which a myth may be ...
... popular culture . If popular culture is , as Stuart Hall has recently reminded us , “ an arena that is profoundly mythic . . . a theater of popular desires , a theater of popular fantasies ” ( 32 ) , then one way in which a myth may be ...
Inhalt
Introduction | 3 |
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
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Häufige Begriffe und Wortgruppen
academic American analysis Anita Hill argues audience Barthes's beauty become Bigelow Blue Steel body Bram Stoker's Dracula camera Coppola Cornell critical critique D.W. Griffith death debate desire Dirty Harriet discourse Dracula early cinema essay ethnic example experience fantasy fashion model Father Figure Faxon fear female feminine feminism feminist fetishism fiction film theory film's Freud Gauss gay male gender genre George Michael Grieux heterosexual homophobia homosexuality icon intellectual Kristeva look Lost Language love song lyric MacKinnon Marilyn Monroe masculine Medusa Megan melancholia Miller misogyny Monroe's mother movie music video myth narrative novel obsession Photograph political popular culture postmodern professor psychoanalysis question reading representation Roland Barthes role Routledge Sammy and Rosie says scene sequence sexual difference social Stoker's story strigoi studies Tania Modleski taxi driver Teleny television thriller tion tradition Trans vampire viewers Virginia Woolf visual voice woman women writes York Žižek