Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgabe 1Indiana University Press, 1993 |
Im Buch
Ergebnisse 1-3 von 37
Seite 54
... gender , sexuality and feminism by crisscrossing within a single text those genres which depend most on violence and fear for their narrative excitement . As many film theorists have suggested , horror , sci - fi , and crime are the ...
... gender , sexuality and feminism by crisscrossing within a single text those genres which depend most on violence and fear for their narrative excitement . As many film theorists have suggested , horror , sci - fi , and crime are the ...
Seite 57
... gender alone rule the narrative ; at almost every point of the film , the imbrication of class and gender is emphasized . Nick is the generic masculine for Megan because he , like her family , is figured as skilled working class / lower ...
... gender alone rule the narrative ; at almost every point of the film , the imbrication of class and gender is emphasized . Nick is the generic masculine for Megan because he , like her family , is figured as skilled working class / lower ...
Seite 63
... gender and the similarity of class operate almost as inexorably as within the family , constituting her once again as a wayward daughter . Her superiors disbelieve her story of the supermarket robbery — implying that she did not ...
... gender and the similarity of class operate almost as inexorably as within the family , constituting her once again as a wayward daughter . Her superiors disbelieve her story of the supermarket robbery — implying that she did not ...
Inhalt
Introduction | 3 |
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
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Häufige Begriffe und Wortgruppen
academic American analysis Anita Hill argues audience Barthes's beauty become Bigelow Blue Steel body Bram Stoker's Dracula camera Coppola Cornell critical critique D.W. Griffith death debate desire Dirty Harriet discourse Dracula early cinema essay ethnic example experience fantasy Father Figure Faxon fear female feminine feminism feminist fetishism fiction film theory film's Freud Gauss gay male gender genre George Michael Grieux heterosexual homophobia homosexuality icon intellectual Kristeva look Lost Language love song lyric MacKinnon Marilyn Monroe masculine Medusa Megan melancholia Miller misogyny Monroe's mother movie music video myth narrative novel obsession Photograph political popular culture postmodern professor psychoanalysis question reading representation Roland Barthes role Routledge Sammy and Rosie says scene sequence sexual difference social Stoker's story strigoi studies Tania Modleski taxi driver Teleny television thriller tion tradition Trans vampire viewers Virginia Woolf visual voice woman women writes York Žižek