Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgabe 1Indiana University Press, 1993 |
Im Buch
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Seite 54
... gender , sexuality — and feminism — by crisscrossing within a single text those genres which depend most on violence and fear for their narrative excitement . As many film theorists have suggested , horror , sci - fi , and crime are the ...
... gender , sexuality — and feminism — by crisscrossing within a single text those genres which depend most on violence and fear for their narrative excitement . As many film theorists have suggested , horror , sci - fi , and crime are the ...
Seite 57
... gender alone rule the narrative ; at almost every point of the film , the imbrication of class and gender is emphasized . Nick is the generic masculine for Megan because he , like her family , is figured as skilled working class / lower ...
... gender alone rule the narrative ; at almost every point of the film , the imbrication of class and gender is emphasized . Nick is the generic masculine for Megan because he , like her family , is figured as skilled working class / lower ...
Seite 123
... gender hierarchy to engage with their metaphors of us , and give them new meaning , precisely because of the excess of what is not implicit in metaphor ” ( Cornell 148 ) . 7 Indeed , Cornell's refusal to adopt " the masculine " at any ...
... gender hierarchy to engage with their metaphors of us , and give them new meaning , precisely because of the excess of what is not implicit in metaphor ” ( Cornell 148 ) . 7 Indeed , Cornell's refusal to adopt " the masculine " at any ...
Inhalt
Introduction | 3 |
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
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